OUR FILM BEGINS IN MEDIA RES, WE DO THIS TO IMMEDIATELY CAPTURE THE AUDIENCES ATTENTION AND START ASKING QUESTIONS.
TO ACCOMPLISH THIS THERE NEEDS TO BE A SOUND BRIDGE STARTING A COUPLE OF SECONDS BEFORE THE VISUAL FILMING IS DISPLAYED.
THE FIRST TEN SECONDS OF THE SCENE WILL BE IN A FOREST.
IT CUTS FROM THE BLACK TO A SHOT OF THE GIRL RUNNING PAST THE CAMERA AS IT IS A CLOSEUP SHOT OF HER FEET.
IT TRACKS AND FOLLOWS HER FROM BEHIND TREES.
YOU HEAR PANTING AND HER FOOTSTEPS.
(THIS SCENE IS MADE TO BE VERY INTENSE AND FAST PACE)
IT MAKES A SUDDEN CUT TO A STILL, SILENT ROOM WITH THE SAME GIRL IN THE MIDDLE OF THE FRAME USING AN OPEN SHOT MAKING HER LOOK SMALL AND WEAK.
THE CAMERA IS STILL HAND HELD AND PANS AROUND THE ROOM SHOWING THE GIRLS ROOM, IT CUTS TO CLOSE UPS OF THE TOYS PLACED ON THE BED. IN THE BACKGROUND YOU CAN SLIGHTLY HEAR THE NOISE OF THE FRONT DOOR OPENING.
USING CROSSCUTTING IT SHOWS THE MAN CLOSING THE DOOR AFTER HIMSELF.
IT CUTS BACK TO THE GIRL WITH THE OVERLAPPING SOUND OF THE DOOR SHUTTING AS THE TURNS HER HEAD.
HE WALKS THROUGH TO THE KITCHEN AND OPENS THE FRIDGE DOOR.
PORTRAYING HIMSELF TO BE DOMESTICATED AS HE MAKES HIS DINNER.
IT NAME CUTS TO HER KNOCKING OVER A GLASS ON THE DESK WHERE SHE IS SAT, THE GLASS SMASHES CREATING A LOUD SOUND.
CUTTING TO THE MAN AGAIN HE TAKES NOTICE OF THE SOUND AS HE LOOKS UP.
THE MAN IS FILMED WALKING UP THE STAIRS.
USING CONTINUITY FILMING.
THERE IS A SMALL BIT OF DIALOGUE OF HIM CALLING FOR LILY.
"WHAT HAVE YOU DONE NOW? YOU STUPID GIRL" - EXPRESSING HIS FRUSTRATION.
CUTTING BACK TO HER FACE LOOKING FRIGHTENED (EXTREME CLOSE UP).
IN THE BACKGROUND YOU WILL HERE THE MAN WALKING UP THE STAIRS, GETTING LOUDER.
EB
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